This brings me to what the process should be:
- Imagine in my mind
- Basic shot list
- Hand-drawn storyboard of shots. This starts to focus on what may be possible or not
- If needs be use Antics to model some of the more complicated shots - Review storyboards with Parms to chat through alternatives, discuss difficult bits and resolve potential problems
- Create a more detailed shotlist with updates. Break this down into a shooting schedule
- Decisions here will include understanding easy shots & sets, what we want first, what might be re-used.
- Chunk the shotlist into a timebox plan with specific deliverables for each stage - Work to the shotlist creating and dressing sets
- Potentially take a basic "Mastershot" recording of the set zooming through it for a review with Parms
- Add cameras and characters
- Add all necessary animations, props, etc
- Add any tracks for cameras anticipating where stuff will move
- Record all start poses
- Record any sound - Working through shotlist, record action, add sound then cut between cameras
- Output avi's
- These will need to be saved in Set (location) libraries and clearly labelled, etc - Iterate steps 6-8 for each chunk of plan
- Rushes should be pulled together with basic editing for each chunk of the plan
- Once all avi's in then the "Big Edit" can start.
- Presume this could start before if all the chunks for a section are in
Not sure how sound fits in with all of this. Needs to be added in for specific avi's but not sure when overall sound is put on - probably editing?
So need to plan out the score for the film as well as sound fx.
Can avoid this process but it seems to be sensible. My question - what to do right now?
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